Many thanks to guest blogger Karen Ng for contributing the below post! Karen is a graduate student at UBC’s iSchool (School of Library, Archival and Information Studies) and the co-curator of Judging a Book by Its Cover.
Fantastic Books and Where to See Them!
At Rare Books and Special Collections (RBSC), I work as a student assistant, and it is both exciting and daunting to learn the collections and holdings. What do we have and what’s interesting about each thing? In searching for books with visually appealing covers that draw our attention, we turned our focus to items that show the progression of bookbinding techniques over time, as well as items that highlight Vancouver’s book arts scene. The exhibition, Judging a Book By Its Cover, showcases items from the following categories: early European bindings; works from local bookbinders and designers; artists’ books and odd formats; examples of the Arts and Crafts Movement; special qualities of bindings that make books unique; and notable and aesthetically beautiful covers.
Some of my favourite items from the exhibit include The WunderCabinet: The Curious Worlds of Barbara Hodgson & Claudia Cohen, The Canned Think, and Le trésor du fidèle. The WunderCabinet is a charming contemporary cabinet of curiosities filled with odd bits and pieces alongside a journal inside the wooden box. The Canned Think, created by Tyrrell Mendis, Joel Matthews, and Jon Matthews, is a cute selection of “poemtry” inside a can. Finally, Le trésor du fidèle is a small book published some time in the 1800s. It lives in a plain little black box, and with a beautifully sculpted ivory cover with engraved initials, it sits in delightful contrast to one of the biggest books in the exhibit, a large music chant manuscript with wonderfully obnoxious metal bosses and clasps.
When nearly all the books on the shelves were beautiful, it was easy to pick out the ones with gold lettering and decorations for display. These books formed our cases that highlighted the Arts and Crafts Movement of the late nineteenth century, when there was an emphasis on aesthetics and the fine arts, which was a response of sorts to the industrial nature of mass-produced books. A major focus in this exhibition is also on the handmade quality of books ranging from medieval manuscripts to artists’ books. At times, it became difficult for me to fully appreciate the work and craftsmanship that went into artists’ books in particular when they looked like a machine had made them, and perhaps that’s the fascinating part about the book.
This exhibition was an exciting opportunity to judge and explore the books in RBSC on a largely superficial level. These books look great and we want you to see them.
The exhibition Judging a Book by Its Cover is free and open to the public at Rare Books and Special Collections through January 4, 2019. The RBSC reading room is open Monday through Friday from 10 a.m. to 4 p.m. For more information, please contact Rare Books and Special Collections at (604) 822-2521 or email@example.com.